Suisei no Gargantia OP (Track no. 1)
Disgaea D2 OP (Track no. 2)
Disgaea D2 OP (Track no. 2)
I'll try really really hard not to be biased. The woman is my queen ♡＾▽＾♡
Tracklist:
1. Kono Sekai wa Bokura wo Matteita
2. CRADLE OVER
3. Ai ni Ikitai
1. Kono Sekai wa Bokura wo Matteita
What a strange themed opening for a supposedly serious anime. Anyways, continuing from the streak she had with her last single, the track is uplifting and energetic as well, but not overly cute like Self Producer was.With that in mind, her voice has also outgrown the phase in which she used her nasal tone all the time, and is finally in its full strength here, following the colourful arrangement with bells, guitars and quirky strings, which are (unfortunately) not omnipresent like in most of her style. Well, I guess you have to make sacrifices if the point is to make a good anime OP.
Rating: 9
2. CRADLE OVER
Wow, if the previous song was kind of unusual, CRADLE OVER just screams "Minori", as it is the mind-blowing epicness every of her fans lives for. Though opening with a relatively calm start, the instrumentation moves in a techno-rock rhythm, accompanied by the sheer power and height her voice gives away and the insane violin work usual to her (I half idolize, half pity her violinist). It seems that ever since she stepped in on the RPG game music market, all of the songs made for them are pure masterpieces, even compared to the other hits in the discography, and this is certainly not an exception.
Rating: 10
Rating: 10
3. Ai ni Ikitai
And, the following and final track of this single is a great custom her producers are beginning to use, and that is to leave the track that isn't tied to a media for Minori to compose and write herself. The only thing I perhaps mind about her skills in composition is that she's never done anything else besides a ballad, even though they aren't just a filler. Nevertheless, the song is very touching and gentle, mainly consisted of a piano, acoustic guitars and a few violin intersections. As to convince us fully, her voice is again not nasal at all, and it's actually quite a tearjerker. Yeah, I'd like to wake up to this every morning.
Rating: 9
... See? I wasn't biased at all. I gave 10/10 marks instead of 14/10 (￣▽￣人)
And, the following and final track of this single is a great custom her producers are beginning to use, and that is to leave the track that isn't tied to a media for Minori to compose and write herself. The only thing I perhaps mind about her skills in composition is that she's never done anything else besides a ballad, even though they aren't just a filler. Nevertheless, the song is very touching and gentle, mainly consisted of a piano, acoustic guitars and a few violin intersections. As to convince us fully, her voice is again not nasal at all, and it's actually quite a tearjerker. Yeah, I'd like to wake up to this every morning.
Rating: 9
... See? I wasn't biased at all. I gave 10/10 marks instead of 14/10 (￣▽￣人)
Summing up, this has been one amazing single as well, but it's a shame Minori doesn't put B-Sides in her albums, as CRADLE OVER would be a bit of a better choice than Kono Sekai. Speaking of which, her next album should come soon, and I'll be prepared with high expectations. My overall rating for this release is: 9
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