ALI PROJECT - Watashi no Bara wo Haminasai

Rozen Maiden: Zuruckspulen OP

Tracklist:

1. Watashi no Bara wo Haminasai

2. Fraulein Rose

3. Otome no Aganai

1. Watashi no Bara wo Haminasai

A gliding violin introduction sets the uplifting, yet slightly creepy atmosphere for a catchy synth melody followed by Arika's singing. Although it's more of their Light Alice style than the heavy gothic music we usually expect, it still follows some eccentric chord progressions utilizing bells in the midst of a seemingly cheerful melody, making it quite similar to their previous single, and perfect for the grim setting of the Rozen Maiden anime. Especially for a newcomer to their music, Arika's vocals may seem thin and inconsistent, but she again proves, despite her age and long career, that she can still perform the vocal stunts and even have an excellent vibrato capability. The strange ambiental noise and distorted guitars that have been following the instrumentation through the whole track are expressed at the final chorus, wrapping up the song in a mysterious fashion.

Rating: 9

2. Fraulein Rose

Silently, Fraulein Rose makes its entrance with a deep, relaxing piano, and, judging by the title, is also somewhat Rozen Maiden-themed, despite not being a tie-in. On the contrary of such a deep arrangement, Arika sings even higher this time, with a fairy tale-like dreamy choir backing her up, until the tempo and an acoustic guitar set in. This track is much of their usual style, but still has that one bit of melancholy and the strange, scary heavy gothic moments. Instead of the usual vocal filtering and layering, Arika reaches very high without her voice actually going into falsetto, and the same choir is silently being added every time an effective transition needs to be made. Suddenly, the mood is broken by an explosive, dark theme including strings much deeper than we've been able to hear, but not a long time passes before the serene ambient returns.

Rating: 10

3. Otome no Aganai

The big violin orchestra unravels, following a melody very much like the main melody of Watashi no Bara wo Haminasai. Slowly, everything starts getting heavier and heavier with more classical music-like crescendos and dramatic effects, before it returns to the restful thematic. Unfortunately, the third track in the single isn't anything especially memorable, but it's worth listening to even if only for the haunting arrangement, and the usage of Arika's light voice once again. 

Rating: 8

If Arika with her 50 years of age can do music this excellent, to the point where the worst track in the single still deserves an 8, then she surely sets the bar higher for any other musician. My overall rating is: 9.

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Luna Haruna - Kimi ga Kureta Sekai

Fujimi Hime ~ Zombie no Sainan OP (Track no. 2)

Tracklist:

1. Kimi ga Kureta Sekai

2. Tokoshie Rondo

3. Kagayaku Hoshi no Yamai

1. Kimi ga Kureta Sekai

As expected from a Luna Haruna single, the leading song is a ballad - and quite a powerful one at that. The track starts off with her unusually strong vocals (considering she is only 21) paired with a piano, but unravels in a more upbeat, classic anisong arrangement with a laid-back hint of the incoming summer. With that in mind, the instrumentation can't go without strings, which again play on my weakness especially when used in a marching fast tempo, but the beach-like synths somewhat ruin the impression in the already uneventful verses. Following the variations between the grandiose and exciting, and the relatively boring, the mood the listener is currently in will impact the light in which the song is, so the final outcome would be average.
Rating: 7

2. Tokoshie Rondo

Just as the mind rests from the previous track, utterly unexpected synths and hard guitars kick in from the start and make this Luna's first step into rock music, and maybe even metal. Her vocals are, even though filtered, quite deeper and more dominant, with her having the ability to cause subtle scares with the unexpected key changes and purposeful lack of breath at the second chorus. Accordingly, the arrangement also stands on its own regarding the gothic style, and the horror movie effects with the trance-inducing instrumentation are very effective. Ending with an old-fashioned fadeout, like in retro rock songs, this track would definitely make for a much better A-side. 

Rating: 9

3. Kagayaku Hoshi no Yamai

The final track begins with Luna showing her voice acting skills while narrating to a music box playing in the background. Of course, nothing sugary of that kind would last alongside the previous track, and so the music box slows down, losing it pitch, until we are faced with a full stop. Starting anew, the same kind of guitars and synths from Tokoshie Rondo begin drumming, but much faster in tempo differing from most of her slow to mid tempo discography. The vocals here, now vocoded, are even deeper and more skilfully used with the purpose to frighten, with her sounding like a completely different person. For the same reason I love her vocals, the opposites colliding in this track sometimes sound very morbid and unique, making me wonder who the composer is. Wrapping up this masterpiece is the sparkly music box playing again, like nothing had happened, yet the mysterious last tone reflects the message of "To Be Continued".

Rating: 10

Sometimes I just wonder who would be crazy enough to put a relatively average A-side to the loss of the other two tracks (not to mention Tokoshie Rondo is actually tied to a media). The producers of this single made Luna in a huge disadvantage promoting her with such timid and safe songs. Don't let the covers fool you, though - Luna Haruna is one hell of a Gothic Lolita under the pretense of a cute girl. My overall rating for this single is: 9

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