ZAQ - Gekijouron

High School DXD OP2

Tracklist:

1. Gekijouron

2. Dokuyoruron

3. Shout to the top

1. Gekijouron

The first track opens heavily, with drums being in the spotlight and a silent piano in the background, before switching roles and unraveling in her signature electronic-pop style.  Even though Gekijouron has certain elements from Alteration, the impression as a whole gives off more melancholy and a certain sad tone, especially with ZAQ showing off her deeper registre and great control of it, including even occasional vibrato. The catchy, dramatic chorus is the highlight, employing rock guitars and making up for impact, along with the incredibly chaotic, fast and eargasmic piano solo from the middle eight section, speeding it up just by imagining her play on the piano, coupled with synths moving at the exact same speed. After the slow build up, hearing ZAQ's voice soar in the final chorus decides this as my new favourite from her.

Rating: 9

2. Dokuyoruron

After hearing the fast and exciting A-side, Dokuyoruron comes in as the calmer ballad in the single, and, fortunately, ZAQ's composing skills prevent it from being another generic one. Her voice is, contrasting the first track, this time higher and actually filtered, but the widening instrumentation makes up for the lack of vocal depth, with violins paired with heavy drums and even the choir present sporadically. While the strings are quite subdued in the background, often just playing a single tone, the always-present electronic part bursts in the chorus, completely covering the already hidden bass and other, high-pitched synths present almost all of the time. Wrapping up, everything stops as the vocals climb up for an octave and finish the track.

Rating: 7

3. Shout to the top

Immediately greeting us with something a bit stronger, ZAQ's much more nasal and cuter colour comes to notice, as well as vocoding, signifying that a usual pop song is ahead, utilizing nothing but synths and even cadences that can recognizably be from A-pop (that's probably what I'll call American pop from now on). Still, it manages to be interesting and catchy, and very much reminding of KOTOKO's BUCANEER. Here, with the presence of so much voice change from the natural tone, a strange difference arises as well, between the "very very high pitch" singing used in the background, presumably also by ZAQ, and the "very high pitch" one used in normal singing. This isn't perhaps varied as the other two tracks are, but it does have the element of fun while listening to it.

Rating: 8

I could as well list one of the reasons for having ZAQ as one of my favourite singers the fact that her idol was Minorin, but her self-composing ability is a rare one in today's anison, and is probably a valuable resource in Lantis, the bane of most good musicians. My overall rating is: 8.

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Nana Mizuki - Vitalization

Senki Zesshou Symphogear G OP
Space Battleship Yamato 2199 ED (Track no. 2)

Tracklist:

1. Vitalization

2. Ai no Hoshi

3. Dramatic Love

1. Vitalization

Even after several attempts to write about it, Vitalization still manages to slip through with its overwhelming amount of epic, making it next to impossible to do justice to. A chopped-up pile of heavy synthage opens the track, exploding into a suddenly deep ambient and Nana's almost operatic vocals. Being even crazier than Synchrogazer, the complex arrangement utilizes every imaginable kind of techno and electronic samples, from 8-bit chips, over sub-woofers and extremely hard, strong dubstep sequences right before the salve of the insanely fast, seizure-inducing chorus. As not to forget the roots of her music, on the top of all the trancelike spins a single hypnotic violin is added as well, making another venture into techno-anison. In contrast, Nana's voice flawlessly slips from heavily layered tones to the impressive pureness similar even to one of Yuki Kajiura's vocalists. Summing up, the effectiveness of it might just be present there because it's all new and unique, but it will definitely be present in the legends as one of her best songs, and a masterpiece.

Rating: 10

2. Ai no Hoshi

Suddenly, the atmosphere completely changes, with a silent piano slowly playing in the background accompanied by a touching violin. The dreamlike, soft scenery gains a bit of tempo afterwards, joined by drums and an acoustic guitar, and even a harp, but it still leaves the serene impression unimpaired. Accordingly, Nana's vocals have the main spotlight here, soaring up to heights and returning even deeper, all while following the moving melody and tear-jerking chord progressions which make this song so special. The fans are somewhat split on either Ai no Hoshi or Vitalization being the better song, but all I can say is that it's definitely up to the challenge of the famous tie-in it was given.
Rating: 10

3. Dramatic Love

Closing the single, Dramatic Love is perhaps a bit of a load-off for Nana because of the lack of the overall seriousness and vocals stunts, being more like an upbeat, filtered version of DISCOTHEQUE mixed with the 80s catchy charm. For some reason, aside the uplifting and happy instrumentation, heavily techno-related elements from Vitalization appear occasionally, such as deep pulsations, slightly noticeable dubstep and such, which together with the piano and bells creates a quirky game-like feeling, especially in the middle eight section. There are some unusual harmonies present, but the song is very enjoyable and caters to her more J-pop oriented fans. 

Rating: 9

Considering this single is yet to officially come out in Japanese stores and charts, fingers crossed that it will reach the #1 spot it definitely deserves. I was rather too rash to say Jiyuu e no Shingeki is the best single of the season, since Vitalization has a fair chance at beating it, especially in the eyes of a devoted fan. My overall rating is: 10 - RECOMMENDED.

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Sumire Uesaka - Genshi, Jyoshi wa, Taiyo Datta

Genshiken Nidaime OP

Tracklist:

1. Genshi, Jyoshi wa, Taiyo Datta

2. Tetori Ashitori

3. SUMIRE #propaganda

4. Genshi, Jyoshi wa, Taiyo Datta (off vocal ver.)

1. Genshi, Jyoshi wa, Taiyo Datta

An off-key violin opens the first track with a surreal, dreamlike atmosphere, but quickly switches to its opposite with Sumire's chubby singing. After last time's fiasco, the arrangement was a bit toned down, but still varies greatly with the toy instruments returning, and paired with real synths and a subdued guitar. Generally, the vocals aren't improved, even with the light usage of vocoding, since her talent is probably more useful and achieved in voice acting, rather than singing. Like her previous single was, it's somewhat fun but nothing memorable and original, no matter how hard it tries to convince us in its craziness.

Rating: 5

2. Tetori Ashitori

Electronic and strangely melancholic melodies continue on, with Sumire repeating "tetori" while the tempo builds up in a trance-like song. Unlike Genshi, Jyoshi wa, Taiyo Datta, the vocals aren't as chubby anymore and transform in a higher pitch and nasal usage, but sound even worse in an overall unpleasant and poorly performed 80s ambient. We actually get to hear some sugary voice acting in several lines, reminding of character songs, but she can't really pull of kawaii when compared to professionals like Yukari Tamura or Yui Horie. With nothing to back up the poor singing, lack of transitions and a reason to listen to this song, it again becomes repetitive and easily forgettable.

Rating: 4

3. SUMIRE #propaganda

The only song which actually seems interesting in this single starts off quiet, but unravels into the gliding of 8-bit chipping sounds, disharmonic synths and the robotic singing from Sumire which is much more emphasized, alike to a Perfume song. Melody-wise, the same catch from Tetori Ashitori is unfortunately used, significantly dropping the final mark. The ever-so-slight hint of Russia is recognized, though, as we do hear even some Russian being inserted, which is quite rare for mostly English-filled Japanese songs, but at least they're on Sumire's familiar ground, since she does Russian studies aside her seiyuu career. 

Rating: 7

After a relatively average debut, Sumire Uesaka digs herself even deeper in the ground of amateurism, as she has done nothing to improve on any segment of the songs she performs. I was sincerely hoping that we'd get to hear something more like the B-side from her debut single, but the chance of that happening seems faint. My overall rating is: 5.

May'n - Run Real Run

Real Onigokko THE ORIGIN OP

Tracklist:

1. Run Real Run

2. Outsider

3. Run Real Run (without May'n)

4. Outsider (without May'n)

1. Run Real Run

Mysterious, gritty synths open the actual high-speed dance track, following the trend of electro-inspired music she's been releasing lately. With the aggressive techno flying around, the guitars somewhat take the back place and silently play the (citing Tsukiyo no Hikari) "James Bond theme" and give an impact to the already very upbeat, fast in tempo track. Usually, songs like this come off as too unemotional, but the powerful chorus and May'n's great voice, along with the dramatic melody perfectly reflect the emotions of despair, fright and the unavoidable fate of one who is caught in the Onigokko game. Run Real Run is right up there with her better songs, and the PV is definitely recommended as well.

Rating: 9

2. Outsider

An impending machinery intro sets the scene for another beat heavy song, and as to replace a ballad, the B-side is quite sadder and more subtle, but at the same time does gain upbeatness in an interesting electro-ballad experiment. May'n's vocals here are fairly darker here, including the Kanon Wakeshima-like gothic tones and creepy ominousness, but they do retain the striking height and drama from the previous track. In the same way the dysharmonic melodies are used here, the instrumentals are also quite hard to define, being a merge of electronica, slight guitars and an occasional bell. Still, even though the song was interesting by pure music theory, it sometimes fails to be interesting and attention-catching, and that's probably its major flaw.

Rating: 7

This single comes really close to being my new favourite from May'n (even with Scarlet Ballet being such a masterpiece). It's a shame she has B-sides that usually erode the impressions from her releases, but I guess it's a necessary sacrifice when the big amount of time goes into producing excellent music like Run Real Run. My overall rating is: 8.

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T.M. Revolution x Nana Mizuki - Preserved Roses

Valrave the Liberator OP

Tracklist:

1. Preserved Roses

2. Preserved Roses (T.M. Revolution Only) - Regular Edition

3. Preserved Roses (Nana Mizuki Only) - Regular Edition

4. Preserved Roses (Anime Ver.) - Limited Edition

1. Preserved Roses

Mecha anime always have, and always will have the best music for some strange reason, and Preserved Roses reaffirms the rule in a very impressive fashion. Even after numerous listens, the track feels energetic and uprising, being quite synth-heavy electronic and upbeat. Two of the strongest and most dramatic voices collaborate here, and while the title suggests that both have an equal share, the reality is that most of the time Nana is leading the main melody while T.M. Revolution just serves as harmonic background. Still, the chorus almost negates any drawbacks on both of their singing roles, as the signature vibrato dominates the short but enjoyable 3 minutes. The only flaw one might find here can be the lack of complexity for something called the greatest anime song duo, but it is modeled after the mainstream flow of J-pop which doesn't necessarily imply the lack of artistry in it.

Rating: 9 ½

2. Preserved Roses (T.M. Revolution Only) & 3. Preserved Roses (Nana Mizuki Only)

Unfortunately, instead of having each artist sing the whole song, both tracks are a bit empty since the gaps T.M. or Nana are supposed to sing are just plainly left out in one song or the other. It does not make for real listening I thought we will get, and it is still not a full instrumental (which would be nice), but I imagine it would be good for maybe... karaoke purposes? Imagine singing alongside either one of them; personally, I find Nana's part to be easier. Be free to comment your preferred version.

Rating: Unrated

Seeing as an actual web site was opened regarding the two major musicians collaborating, I won't be surprised, and actually will be very happy if they announce some future work together. The question is, can it live up to the high standards Preserved Roses set?

My overall rating for this single is: 9 ½ - RECOMMENDED

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