To Aru Kagaku no Railgun S OP2
Tracklist:
- Regular Edition -
1. eternal reality
2. Scorching Heart
3. eternal reality -TV size-
4. Scorching Heart -Instrumental-
- Limited Edition -
1. eternal reality
2. Coupling Tune A
3. eternal reality -TV size-
4. eternal reality -Instrumental-
1. eternal reality
Wow, another single in such a (relatively) short notice? I was barely finished rotating sister's noise when eternal reality opens with a usual fripSide instrumental, except the atmosphere is slightly happier and more anison when compared to the first opening. SAT, unfortunately, has an unchanged formula here, and, if I had to choose a previous Railgun song to compare it to, another average fripSide A-side would be LEVEL-5 Judgelight; the arrangement has no innovations whatsoever, while Yoshino is thin and faltering when singing, and the partial absence of filters doesn't help.
Rating: 6
2. Scorching Heart (Regular)
A darker ambient ensues, utilizing more of fripSide's rockier style than the usual techno, with the guitars being quite subdued to fit the dance sequences, but still noticeable. Sadly, at least in the verses, the arrangement is the only thing that distinguishes the song from their overused cadences, before the chorus comes in using a standard pop chord progression, which, at least in this case, is a new thing. Yoshino is filtered the whole time, with even a slight vocoding layer to emphasize the robotic feel of it, but the vocals haven't exactly been the highlight of fripSide's song anyways, so the change is barely discernible. Following the second chorus is an almost non-existing middle eight section, which is only bridged by a small vocal-only part and Yoshino's whisper before wrapping up the track.
Rating: 7
2. Coupling Tune A (Limited)
In spite of the somewhat generic soundtrack name, Coupling Tune A is very much a full song. Opening with Yoshino singing to a synthy background, it made me wonder if it's the same singer in question, as she opens very deeply, suiting the dark atmosphere. Unlike the previous two tracks, this song turns more towards trance than anison, which is that missing originality and spirit, and is easily detected by the constant bass hitting in the background and the unusual lack of guitar and piano until right before the chorus. Fortunately, Yoshino acts as a real trance vocalist for once, as her vocals are quite subdued, especially in bridges, and used more as a background and an addition to the instrumentals. Of course, you can't have a fripSide song without a guitar solo in the middle eight section, but it doesn't break the overall flow of the track, or steal the spotlight to cheerless synthage which shows the serious, dramatic side To Aru Kagaku no Railgun can sometimes have.
Rating: 9
Unlike sister's noise, the very opening to the show was somewhat disappointing this time around, but Coupling Tune A makes up the listening time for all that was lacking in the previous two songs as, by far, the best song in the single. My overall rating is: 8.
The comment box doesn't bite; be careful when feeding it, though.
The way the first voiced chords of "eternal reality" hold back by being _exactly_ the same felt really weird to me, that's probably the only thing I noticed about this song...
ReplyDeleteOther than that, it's business as usual, fripSide is so much a part of the Railgun series anyway, they'd be hard to replace!
Oh, that kind of thing happens all the time if you really pay attention, it's just more emphasized since it's at the very beginning of the song. And, yeah, that being the only noticeable does say something about the song, unfortunately.
DeleteGreat reading your bblog
ReplyDelete